Kpop Music Mondays #36: Got7, “Encore”

On January 19th, 2021, I got the news that my favorite kpop group, Got7, had officially departed from their label, JYP Entertainment.

I meant to write about it because it was a huge thing, but I either couldn’t find the time or simply didn’t know what to say. This wasn’t a disbandment, this wasn’t a member or two not renewing their contract… the entire group just decided to part ways with their label.

As far as I know, nothing like this has happened in kpop. You’ve had groups that have sued for their contracts to be nullified before renegotiating their rights to a new company (Block B), and you’ve had groups where individual members have departed (there are too many of those to list here), and sued and departed (there are also too many of those to list here), and you’ve had one group launch their own label and rename themselves (Highlight, formerly Beast) but to have an entire group just… pop off was something new.

Got7 turned around and dropped a new single on us shortly after the news, appropriately titled, “Encore.”

Now, I won’t be one of those wide-eyed, naive kpop fans. I know that the likelihood of me going to a Got7 concert with all members present is now a pipe dream. With each member being picked up by different agencies, we get to see the members blossom into their own while remaining part of the group–a group that transcends record labels, a group of 7 ridiculously talented, good-looking, and altogether weird guys. Unlike a lot of kpop groups, these guys seem like they’ve created a family.

And from what we’ve seen of the guys in 2021, I think they’ll do just fine on their own.

Everything about you was a gift
Remember that
Right now too, all of you

We will sing for you
We will sing for you
Encore! Encore!

Kpop Music Monday #35: Lee Hi, “Breathe”

Kim Jonghyun, wearing a white sweater, blue jeans and a wide brim hat, sits and sings into a microphone

This past Saturday marked the 4th anniversary of the death of one of kpop’s brightest stars, Kim Jonghyun. We still hold space for his spirit; we still listen to his music when we’re feeling lonely at the end of a hard day.

This Kpop Music Monday is Lee Hi’s “Breathe,” which Jonghyun wrote for her.

There is another, harder to watch version I’ve linked below, a special stage at the 32nd Golden Disc Awards that sees Lee Hi have to break away from singing to compose herself before continuing the song.

Lyrics from azlyrics.com:

Take a deep breath
Until both sides of your heart get numb
Until it hurts a little
Let out your breath even more
Until you feel
Like there’s nothing left inside
It’s alright if you run out of breath
No one will blame you
It’s okay to make mistakes sometimes
Because anyone can do so
Although comforting by saying it’s alright
Are just words

Someone’s breath. That heavy breath
How can I see through that?
Though I can’t understand your breath
It’s alright I’ll hold you

It’s alright if you run out of breath
No one will blame you
It’s okay to make mistakes sometimes
Because anyone can do so
Although comforting by saying it’s alright
Are just words

Someone’s breath. That heavy breath
How can I see through that?
Though I can’t understand your breath
It’s alright I’ll hold you

Even if others think your sigh
Takes out energy and strength
I already know
That you had a day that’s hard enough
To let out even a small sigh
Now don’t think of anything else
Let out a deep sigh
Just let it out like that

Someone’s breath. That heavy breath
How can I see through that?
Though I can’t understand your breath
It’s alright I’ll hold you
You really did a good job

A baby pink-haired Kim Jonghyun, wearing a pink and white patterned suit, sings into a microphone on stage

정말 수고했어요

If you are contemplating suicide, please reach out to a trusted friend or family member. You can also call the National Suicide Prevention Lifeline at 1-800-273-8255

Kpop Music Monday #34: Bibi, “The Weekend”

Today’s Kpop Music Monday is a song entirely in English, a collaboration between Korean singer Bibi and 88rising, an “American multinational music company.”

You can read about the company in this Paper article.

88rising “provides not only the cultural support, but also the strategic and technical know-how to help emerging Asian artists cross over in an efficient but meaningful way.”

The reason I’m posting about this song for Music Monday is quite simply because it’s a total bop and has been on repeat on my playlist ever since I discovered it. Bibi has a beautiful, unique voice, and I’ve enjoyed past releases of hers.

And in case you want to listen to “The Weekend” again, check out this alternative official music video:

Kpop Music Monday #33: Red Velvet, “Psycho”

Another girl group that epitomizes the “girl crush” concept is Red Velvet. Red Velvet is a hit both with Korean and international audiences–once when I was playing a Kpop channel at work, someone squealed, “Oh my god, it’s Red Velvet–I love them!”

Red Velvet takes risks as a group, notably with fashion, but also in music, shying away from the softer melodies and more “manufactured” sounds and styles of other groups. They all have killer pipes and there is no lead vocal within the group because they’re all just that good. (Check out those high notes!)

Member Wendy had an unfortunate accident during a rehearsal back in December of 2019 and broke her pelvis among other injuries she sustained. She was only able to return to the stage in late August of 2020. Apparently, a set of steps were not where they should have been, and she fell off of the platform.

I chose “Psycho” simply because it’s their best work–a little dark, a little edgy, but with all the lace and sparkling diamonds that their entertainment company could afford. I will give “Peek-a-Boo” an honorable mention because who doesn’t love a tortured pizza delivery man in their Kpop videos?

Kpop Music Monday #32: Hyuna, “I’m Not Cool”

The soloist Hyuna debuted back in 2006 with a short stint in the Wonder Girls before moving to the girl-crush group 4Minute, which sadly disbanded back in 2016. Her solo tracks have been really popular and she hasn’t shied away from expressing her sexuality and showing off her body, something that has scandalized the more conservative Korean culture.

In 2018, however, she went on to scandalize even further: admitting to being in a two-year relationship with E’Dawn, a boy-group member (Pentagon) and her co-member in the trio Triple H. Her entertainment company was none too pleased and both members were basically forced to leave the company.

“I’m Not Cool” is her first extended play with her new label, P Nation, headed by none other than Psy. (You know, the Gangnam Style guy.) In the song, she sings, “I love early mornings, Dawn, Dawn, Dawn; I’m not solo, that’s the way I like it,” clearly referencing her now-renamed partner who also signed with P Nation (and you can view his latest video here, and check out his “Bubble Pop Senorita” line, referencing one of Hyuna’s other solos from back in 2011).

We stan a confident queen who makes the best of what life hands her.

Kpop Music Monday #31: f(x), “Electric Shock”

SM girl group f(x) was the definition of the “girl crush” concept in Kpop: girls so cool, you wanted to be their best friends. f(x) is also the definition of a group condemned to the dungeon of their entertainment industry, having been created in 2009 and gone inactive in 2016.

While the group never officially disbanded, all but one of the remaining members have gone on not to renew their contract with SM while continuing to make music. Unfortunately, one of the members (and the first to officially leave the group in 2015), Sulli, took her own life October 14th, 2019.

One of the first things you might notice about the group is the “tomboy” member, Amber, who breaks the stereotypical kpop girl group member mold: short hair instead of long, “masculine” clothing instead of skirts and skin-tight clothing. Sulli also broke the mold by being outspoken about such topics as feminism, Korean comfort women, and even the “no bra” movement. Unfortunately, she was met with intense cyberbullying that continued even after her death.

f(x) remains a group that popularized the “girl crush” concept and continues to be influential. It’s sad that they were unable to continue making music.

Kpop Music Monday #30: KAACHI, “Your Turn”

What is K-pop?

Is it as simple as pop music created by Koreans? (How would you reconcile this idea with the knowledge that many Korean pop songs were originally written by non-Koreans and then purchased and tailored for a Korean audience?)

Is it as simple as pop music that has been tailored for a Korean audience and sung in Korean? (How would you reconcile this with BTS’ latest track, “Dynamite,” a song written entirely in English?)

Is it as simple as pop music sung by Koreans? (How would you reconcile this with the fact that many K-pop groups feature members who are non-Korean, but almost always Asian, e.g. Thai, Japanese, Chinese?)

It’s time we talk about KAACHI.

KAACHI labels itself as the “UK’s first Kpop group” but only one member is Korean. This was their debut song.

The quality is pretty poor. The vocals are lacking, the dancing is lackluster, and it’s all just a bit too cringey for my taste.

All is not lost, however, as a YouTube creator by the name of Johnny reworked the song and made it sound much better.

And the girls weren’t upset, because they went on to give him a cameo in their comeback single, as seen below:

So… is KAACHI K-pop? I don’t think so. K-pop is a machine, and they’ve not been through the trials and tribulations that K-pop trainees go through that produces idols. It isn’t about singing in Korean, or having a Korean in the group, or making upbeat pop music, or wearing Korean brands–it’s about being part of the soul-eating machine that makes a group “K-pop.”

As someone who doesn’t like the fact that the music she’s been listening to for over ten years is produced on the backs of young teenagers and is known to break them down and eat them alive, maybe, just maybe, K-pop can learn from KAACHI to be a little more easy-going; to let their idols live a little more instead of always fighting tooth and nail for YouTube views and award show wins. It doesn’t have to be perfect. It can be flawed. We love our idols because they’re flawed, one of the most ironic things of all.

What do you guys think? What makes K-pop… K-pop?

Kpop Music Monday #29: Lee Suhyun, “Alien”

Lee SuHyun already knows fame as part of Akdong Musician (aka AKMU), the brother/sister duo that took Korea by storm as winners of K-pop Star 2, a televised music competition. This time, she’s back as a soloist and her solo is a-freaking-dorable.

I love a lot here: the short blue hair, the rainbow sleeves, the simple yet effective choreography, that sparkly dress at the end of the video and the animated bits of the video. What really shines, however, is her heavenly vocals. Girl can hit the high notes with an ease Mariah Carey would envy.

I’m going to say it: this is probably my favorite release of 2020. I love all the credits that she gives at the end of the video, because it really does take a lot of people to create a music video.

Kpop Music Monday #28: Twice, “Like Ooh Aah”

You know what I love? Kpop. You know what else I love? A good zombie. Put them together and you have Twice’s debut song, “Like Ooh-Aah.” While not the first kpop music video featuring zombies (that, I believe, goes to T-ara’s “Lovey Dovey”), it’s arguably the best, as Twice went on to become one of the best-selling kpop girl groups ever.

Having a debut song that doesn’t take itself too seriously is a breath of fresh air while some debuts are overwrought with special effects or tricky dance moves. You can’t really see it in this video, but their main dancer, Momo (the girl with the long blond hair who is on the school bus during the dance break) is actually one of the best dancers I’ve ever seen.

Did I mention that she’s dating Heechul from Super Junior? And that their leader, Jihyo, is dating Kang Daniel, a soloist? And they’re both doing so publicly? And Mina was allowed to rest after becoming diagnosed with an anxiety disorder? These things are pretty ground-breaking in the kpop industry.

While I wish they did more “girl crush” concepts instead of pandering to their predominantly male audience (allegedly, a lot of men in the military listen to their music to “cheer up”), I still look forward to their comebacks.

moar zombies plz

Kpop Music Monday #27: Girls’ Generation, “Gee”

Sorry for the skipped week of Music Mondays. There’s a lot going on cough BLACK LIVES MATTER coughs

Eleven years ago (to the day, no less), one of the most iconic kpop songs/fashions/videos/dances/everything was dropped: “Gee” by Girls’ Generation.

I don’t want to talk about how many collective hours that I have spent listening to this, practicing the large arm flourishes and the pointing dance. There was something so damn catchy about the song and its dance. We saw the beginning of the 10s fashion with those insanely brightly-colored pants and shorts. We saw the beginning of Choi (“man standing next to Melania Trump”) Minho of SHINee’s career, and the beginning of the force that was… Girls’ Generation.

They’ve been through some shit. The Black Ocean scandal, the dating and plastic surgery rumors, the whole situation with Jessica (was she or wasn’t she kicked out of the group?) and the fact that several members decided in 2018 not to resign with SM Entertainment, pretty much signalling an end to the group as we knew it. A second sub-unit group was created with the five remaining SM members but in my eyes, Girls Generation has passed on its crown as the “Nation’s Girl Group” to Twice.

“Gee” is so iconic people are still performing covers of it to this day… some even cross-dressing to do so. If you listen to kpop and don’t know “Gee,” then… then what are you even doing??